

Trance Fusion is inspired by psytrance and its repetitive rhythms and atmospheric textures. With this piece, I wanted to create a still-life effect of what psytrance music looks like to me. When I close my eyes and listen, I see geometric shapes and patterns pulsing and vibrating outward from a central point, alive and animated everywhere. There are moments of chaos and order happening at the same time, creating a powerful sense of oneness.
I really wanted to saturate the colors and make them neon to evoke the UV deco vibe you often see at psytrance festivals or events. Psytrance has a huge following in India, where Goa Trance originated in the region of Goa, so I wanted to give a special nod to that part of the world. That’s why the overall piece carries an Eastern aesthetic.
Trance Fusion reminds us that the pulse of life is within, and if you sit quietly and still enough, you can feel the rhythm of the universe inside you.
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About Samuel Farrand
Samuel Farrand began creating psychedelic art in 1998 following his first visionary experience, but it wasn’t until 2007 that his visual focus began to crystallize into the body of work he is known for today. Inspired by the psychedelic styles of Alex Grey, Robert Venosa, Victor Moscoso, Luke Brown, and Xavi Panneton, his artistic path was deeply influenced by their ability to unlock new visual languages rooted in consciousness.
His work blends neon color palettes, intricate mandalas, and layered patterns to tell symbolic, often personal stories. Each piece carries intention—sometimes spiritual, sometimes emotional, always deliberate.
Over the years, Farrand’s art has been featured in exhibitions with collectives like Threyda and alongside artists such as Android Jones, Jake Amason, Glass Crane, and Justin Totemical. His visuals have appeared in immersive environments at Burning Man and psytrance festivals around the world, as well as in collaboration with renowned projection artist Jonathan Singer, known for his visuals on the Grateful Dead’s Fare Thee Well tour. His artwork has also accompanied live sets by Trip-Hop pioneer Dave Tipper.
Beyond the festival scene, Farrand’s creations have found homes in larger installations at Meow Wolf locations in Las Vegas and Santa Fe. A standout moment in his career came when one of his works was featured on the cover of Ayahuasca: A Test Pilot’s Handbook by Chris Kilham, a moment made even more significant when it appeared live on CNN.
Those interested in exploring the process and philosophy behind his work are invited to learn more on his dedicated artist page.