

Trance Fusion is inspired by psytrance and its repetitive rhythms and atmospheric textures. With this piece, I wanted to create a still-life effect of what psytrance music looks like to me. When I close my eyes and listen, I see geometric shapes and patterns pulsing and vibrating outward from a central point, alive and animated everywhere. There are moments of chaos and order happening at the same time, creating a powerful sense of oneness.
I really wanted to saturate the colors and make them neon to evoke the UV deco vibe you often see at psytrance festivals or events. Psytrance has a huge following in India, where Goa Trance originated in the region of Goa, so I wanted to give a special nod to that part of the world. That’s why the overall piece carries an Eastern aesthetic.
Trance Fusion reminds us that the pulse of life is within, and if you sit quietly and still enough, you can feel the rhythm of the universe inside you.
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About Me
I started creating psychedelic art in 1998 after my first visionary experience, but it wasn’t until 2007 that I began dialing into a more focused vision—one that has shaped the body of work I create today. I was deeply inspired by the psychedelic styles of artists like Alex Grey, Robert Venosa, Victor Moscoso, Luke Brown, and Xavi Panneton. Their work unlocked something in me, and I’ve been exploring that visual language ever since.
My art blends neon color palettes, intricate mandalas, and layered patterns to tell symbolic, often personal stories. Each piece reflects something deeper—sometimes spiritual, sometimes emotional, but always intentional.
Over time, I’ve had the opportunity to share this work through exhibitions with collectives like Threyda, and alongside artists I’ve long admired—Android Jones, Jake Amason, Glass Crane, and Justin Totemical. My visuals have appeared in installations at Burning Man and psytrance festivals worldwide, and I’ve collaborated with projection artists like Jonathan Singer, known for his work on the Grateful Dead’s Fare Thee Well tour. Some of my pieces have also accompanied live sets by Trip-Hop legend Dave Tipper.
It’s been meaningful to see this work extend beyond festivals—especially through installations at Meow Wolf in Las Vegas and Santa Fe.
One moment that stands out was having my art featured on the cover of Ayahuasca: A Test Pilot’s Handbook by Chris Kilham, which was shown live on CNN. It felt like a rare alignment between art, message, and medicine.
If you're curious, feel free to explore more about my process and the journey behind the work on my page.