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Innerstate

Innerstate

Innerstate is inspired by that peak moment when you’re riding in an Uber, speeding through the city at night after being at a psytrance party. The experience was absolutely wild—the city lights blurred into liquid trails, and for a moment, it felt like I was transported into an otherworldly realm. At times, it even reminded me of being inside an old Nintendo racing game, flying through neon landscapes at hyper-speed.

The experience was so surreal and multi-dimensional that I knew I had to replicate it through art—to give others a glimpse into the hyperdrive reality I witnessed that night.

The spiritual insight that Innerstate carries is simple but powerful: enjoy the ride while you can, because you may never get that exact moment again. It’s a reminder to accept what you're experiencing fully, and to have fun while you're doing it—because every fleeting moment holds its own kind of magic.

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About Samuel Farrand

Samuel Farrand is one of the leading artists in today’s psychedelic art movement, with work featured at Meow Wolf in Las Vegas and Santa Fe, showcased on the cover of Chris Kilham’s Ayahuasca: A Test Pilot's Handbook, a cult bestseller that aired live on CNN, and seen across immersive installations at Burning Man and global psytrance festivals. He has exhibited alongside pioneers like Alex Grey and Android Jones, and collaborated with legendary projection artist Jonathan Singer, known for his work with the Grateful Dead’s Fare Thee Well tour and trip-hop icon Dave Tipper.

Blending electrifying neon palettes, intricate mandalas, and complex patterning, Samuel’s visionary art is deeply symbolic. Each piece is an intentional narrative shaped by emotion, consciousness, and transformation. His style draws comparisons to luminaries like Alex Grey, Robert Venosa, Victor Moscoso, Luke Brown, and Xavi Panneton. Creating visionary art since 2007, Samuel has become a cornerstone of psychedelic visual culture. Explore his world to discover the process, philosophy, and evolution behind his work.

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