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Holobloom

Holobloom

Holobloom was inspired by enchanted realms—places where ethereal beings and luminous sprites exist, but reimagined with a visionary twist where everything flows and radiates with light.

Earth spirits have fascinated me since I was a child, and they often appear in my art unintentionally—because I believe these mystical beings are deeply integrated into my consciousness. I feel the spirit world is very real, though often misunderstood. To me, it exists as a form of subtle energy vibrating at a deep quantum level.

With Holobloom, I wanted to illustrate those hidden realms—to give others a chance to witness visually what I feel so strongly within.

Holobloom teaches us to embrace our imagination, to approach the world with child-like wonder. When you greet life that way, reality itself becomes more mystifying, more magical, and more alive.

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About Samuel Farrand

Samuel Farrand is one of the leading artists in today’s psychedelic art movement, with work featured at Meow Wolf in Las Vegas and Santa Fe, showcased on the cover of Chris Kilham’s Ayahuasca: A Test Pilot's Handbook, a cult bestseller that aired live on CNN, and seen across immersive installations at Burning Man and global psytrance festivals. He has exhibited alongside pioneers like Alex Grey and Android Jones, and collaborated with legendary projection artist Jonathan Singer, known for his work with the Grateful Dead’s Fare Thee Well tour and trip-hop icon Dave Tipper.

Blending electrifying neon palettes, intricate mandalas, and complex patterning, Samuel’s visionary art is deeply symbolic. Each piece is an intentional narrative shaped by emotion, consciousness, and transformation. His style draws comparisons to luminaries like Alex Grey, Robert Venosa, Victor Moscoso, Luke Brown, and Xavi Panneton. Creating visionary art since 2007, Samuel has become a cornerstone of psychedelic visual culture. Explore his world to discover the process, philosophy, and evolution behind his work.

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