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Dreamtime

Dreamtime

Dreamtime borrows its name from the Aboriginal concept of the liminal space where all creation originated—a timeless realm where everything stemmed into existence. With this piece, I set out to illustrate a similar idea: that what we manifest internally—through thought, feeling, and intention—shapes what we manifest externally.

As humans, we have a unique gift: the ability to shift our perception if we don't like the reality we're experiencing. This concept mirrors what Buddhist monks have strived to master for centuries—the pursuit of Nirvana—by refining and transcending their perception of suffering and existence.

Dreamtime is a reminder that your outlook on life can transform everything. If you find yourself stuck in a situation you're unhappy with, change your perception—and watch the world change with you.

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About Samuel Farrand

Samuel Farrand is one of the leading artists in today’s psychedelic art movement, with work featured at Meow Wolf in Las Vegas and Santa Fe, showcased on the cover of Chris Kilham’s Ayahuasca: A Test Pilot's Handbook, a cult bestseller that aired live on CNN, and seen across immersive installations at Burning Man and global psytrance festivals. He has exhibited alongside pioneers like Alex Grey and Android Jones, and collaborated with legendary projection artist Jonathan Singer, known for his work with the Grateful Dead’s Fare Thee Well tour and trip-hop icon Dave Tipper.

Blending electrifying neon palettes, intricate mandalas, and complex patterning, Samuel’s visionary art is deeply symbolic. Each piece is an intentional narrative shaped by emotion, consciousness, and transformation. His style draws comparisons to luminaries like Alex Grey, Robert Venosa, Victor Moscoso, Luke Brown, and Xavi Panneton. Creating visionary art since 2007, Samuel has become a cornerstone of psychedelic visual culture. Explore his world to discover the process, philosophy, and evolution behind his work.

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