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Xenoesthesia by Samuel Farrand

Xenoesthesia by Samuel Farrand

Xenoesthesia is a portmanteau of xeno, meaning alien, and esthesia, meaning pertaining to the senses. Combined, Xenoesthesia translates to "alien perception."

The inspiration for this piece came from a psytrance party that left a deep impression on me. Much of the deco at the event was alien-themed, creating a mind-blowing atmosphere that felt truly out of this world. It was also the first U.S. appearance of Spectrasonics, known for his high-energy, middle-groove psytrance style—and the whole night was incredibly inspirational.

I wanted to create a piece that captured the essence of that experience—an alien being that was fully sentient and fully activated, as a memory of that unforgettable night. My intention was for viewers who encounter this piece to feel like they are receiving a download of universal secrets simply by gazing into its eyes.

Xenoesthesia reminds us to stay playful with life, to embrace mystery and wonder, and to remember that there’s a far greater truth out there—one that stretches far beyond anything we can currently fathom.

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About Me

I started creating psychedelic art in 1998 after my first visionary experience, but it wasn’t until 2007 that I began dialing into a more focused vision—one that has shaped the body of work I create today. I was deeply inspired by the psychedelic styles of artists like Alex Grey, Robert Venosa, Victor Moscoso, Luke Brown, and Xavi Panneton. Their work unlocked something in me, and I’ve been exploring that visual language ever since.

My art blends neon color palettes, intricate mandalas, and layered patterns to tell symbolic, often personal stories. Each piece reflects something deeper—sometimes spiritual, sometimes emotional, but always intentional.

Over time, I’ve had the opportunity to share this work through exhibitions with collectives like Threyda, and alongside artists I’ve long admired—Android Jones, Jake Amason, Glass Crane, and Justin Totemical. My visuals have appeared in installations at Burning Man and psytrance festivals worldwide, and I’ve collaborated with projection artists like Jonathan Singer, known for his work on the Grateful Dead’s Fare Thee Well tour. Some of my pieces have also accompanied live sets by Trip-Hop legend Dave Tipper.

It’s been meaningful to see this work extend beyond festivals—especially through installations at Meow Wolf in Las Vegas and Santa Fe.

One moment that stands out was having my art featured on the cover of Ayahuasca: A Test Pilot’s Handbook by Chris Kilham, which was shown live on CNN. It felt like a rare alignment between art, message, and medicine.

If you're curious, feel free to explore more about my process and the journey behind the work on my page.

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