Transentience is inspired by alien, otherworldly intelligence. I often wonder, if other intelligences exist in the universe, what forms might they take beyond the typical humanoid image?
I've always imagined consciousness without a body as a form of high-frequency, pure light energy. With Transentience, I set out to create a benevolent, vibrational being of pure light. Almost formless, it transcends time and space. It carries angelic qualities, but not in the human sense of bodies and wings. I’ve always seen wings as a symbol of ethereal nature rather than a literal feature.
Transentience is meant to embody that divine, ethereal essence. It invites us to call upon high-frequency beings who are here to guide, protect, and support us when we are open to receiving their presence.
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About Me
I started creating psychedelic art in 1998 after my first visionary experience, but it wasn’t until 2007 that I began dialing into a more focused vision—one that has shaped the body of work I create today. I was deeply inspired by the psychedelic styles of artists like Alex Grey, Robert Venosa, Victor Moscoso, Luke Brown, and Xavi Panneton. Their work unlocked something in me, and I’ve been exploring that visual language ever since.
My art blends neon color palettes, intricate mandalas, and layered patterns to tell symbolic, often personal stories. Each piece reflects something deeper—sometimes spiritual, sometimes emotional, but always intentional.
Over time, I’ve had the opportunity to share this work through exhibitions with collectives like Threyda, and alongside artists I’ve long admired—Android Jones, Jake Amason, Glass Crane, and Justin Totemical. My visuals have appeared in installations at Burning Man and psytrance festivals worldwide, and I’ve collaborated with projection artists like Jonathan Singer, known for his work on the Grateful Dead’s Fare Thee Well tour. Some of my pieces have also accompanied live sets by Trip-Hop legend Dave Tipper.
It’s been meaningful to see this work extend beyond festivals—especially through installations at Meow Wolf in Las Vegas and Santa Fe.
One moment that stands out was having my art featured on the cover of Ayahuasca: A Test Pilot’s Handbook by Chris Kilham, which was shown live on CNN. It felt like a rare alignment between art, message, and medicine.
If you're curious, feel free to explore more about my process and the journey behind the work on my page.