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Mandelblot by Samuel Farrand

Mandelblot by Samuel Farrand

Mandelblot draws its influence from two fascinating sources: Benoit Mandelbrot, the mathematician who coined the term fractal, and the Rorschach inkblot test, a psychoanalytic tool once used to explore the subconscious mind. Both concepts have captivated me in their own way, so I set out to challenge my artistic ability by merging their essences into a single piece.

I noticed a natural aesthetic connection between fractals and inkblots—both radiate symmetry, complexity, and depth from a central point. To amplify this connection, I infused the piece with radiance and glowing energy to give it a visionary, multidimensional feel.

To me, Mandelblot represents unfolding infinite consciousness, spiraling outward from an inner center into a fractalized fractal—the very embodiment of infinity. The symmetry also subtly mirrors the look of a traditional inkblot, tying the two inspirations together.

Mandelblot serves as a reminder that everything is constantly unfolding, and that within the human experience lies infinite potential—waiting to be released, cultivated, nurtured, and harvested. I see it as a potent symbol of consciousness itself—limitless, expansive, and forever evolving.

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About Me

I started creating psychedelic art in 1998 after my first visionary experience, but it wasn’t until 2007 that I began dialing into a more focused vision—one that has shaped the body of work I create today. I was deeply inspired by the psychedelic styles of artists like Alex Grey, Robert Venosa, Victor Moscoso, Luke Brown, and Xavi Panneton. Their work unlocked something in me, and I’ve been exploring that visual language ever since.

My art blends neon color palettes, intricate mandalas, and layered patterns to tell symbolic, often personal stories. Each piece reflects something deeper—sometimes spiritual, sometimes emotional, but always intentional.

Over time, I’ve had the opportunity to share this work through exhibitions with collectives like Threyda, and alongside artists I’ve long admired—Android Jones, Jake Amason, Glass Crane, and Justin Totemical. My visuals have appeared in installations at Burning Man and psytrance festivals worldwide, and I’ve collaborated with projection artists like Jonathan Singer, known for his work on the Grateful Dead’s Fare Thee Well tour. Some of my pieces have also accompanied live sets by Trip-Hop legend Dave Tipper.

It’s been meaningful to see this work extend beyond festivals—especially through installations at Meow Wolf in Las Vegas and Santa Fe.

One moment that stands out was having my art featured on the cover of Ayahuasca: A Test Pilot’s Handbook by Chris Kilham, which was shown live on CNN. It felt like a rare alignment between art, message, and medicine.

If you're curious, feel free to explore more about my process and the journey behind the work on my page.

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