Dreamtime borrows its name from the Aboriginal concept of the liminal space where all creation originated—a timeless realm where everything stemmed into existence. With this piece, I set out to illustrate a similar idea: that what we manifest internally—through thought, feeling, and intention—shapes what we manifest externally.
As humans, we have a unique gift: the ability to shift our perception if we don't like the reality we're experiencing. This concept mirrors what Buddhist monks have strived to master for centuries—the pursuit of Nirvana—by refining and transcending their perception of suffering and existence.
Dreamtime is a reminder that your outlook on life can transform everything. If you find yourself stuck in a situation you're unhappy with, change your perception—and watch the world change with you.
Explore the Details! →
-
-
$35
$40Unit price /Unavailable -
From $45Unit price /Unavailable -
DREAMTIME ALT Tapestry (2 Sizes)
From $45Unit price /Unavailable -
$75Unit price /Unavailable
-
$35Unit price /Unavailable
-
$45Unit price /Unavailable
-
$35
$40Unit price /Unavailable
Explore More Art! →
Explore More
About Me
I started creating psychedelic art in 1998 after my first visionary experience, but it wasn’t until 2007 that I began dialing into a more focused vision—one that has shaped the body of work I create today. I was deeply inspired by the psychedelic styles of artists like Alex Grey, Robert Venosa, Victor Moscoso, Luke Brown, and Xavi Panneton. Their work unlocked something in me, and I’ve been exploring that visual language ever since.
My art blends neon color palettes, intricate mandalas, and layered patterns to tell symbolic, often personal stories. Each piece reflects something deeper—sometimes spiritual, sometimes emotional, but always intentional.
Over time, I’ve had the opportunity to share this work through exhibitions with collectives like Threyda, and alongside artists I’ve long admired—Android Jones, Jake Amason, Glass Crane, and Justin Totemical. My visuals have appeared in installations at Burning Man and psytrance festivals worldwide, and I’ve collaborated with projection artists like Jonathan Singer, known for his work on the Grateful Dead’s Fare Thee Well tour. Some of my pieces have also accompanied live sets by Trip-Hop legend Dave Tipper.
It’s been meaningful to see this work extend beyond festivals—especially through installations at Meow Wolf in Las Vegas and Santa Fe.
One moment that stands out was having my art featured on the cover of Ayahuasca: A Test Pilot’s Handbook by Chris Kilham, which was shown live on CNN. It felt like a rare alignment between art, message, and medicine.
If you're curious, feel free to explore more about my process and the journey behind the work on my page.