11:11 is a visionary art piece inspired by divine guidance and synchronicity. The number 11:11 has gained widespread recognition in spiritual communities as a mystical signpost—a call to awareness. In numerology, the number 1 often represents new beginnings, and four 1’s in sequence can be seen as a symbolic alignment with the four elements: earth, water, fire, and air. In this context, it signifies a reset across all dimensions of life.
Many people report seeing 11:11 during pivotal transitions—times that can feel both intimidating and transformative. That’s why, at the center of this piece, I placed a six-winged seraphim, a divine guardian, to remind you: you are not alone. You are being watched over and lovingly guided by higher spiritual forces as you step into your next chapter.
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About Me
I started creating psychedelic art in 1998 after my first visionary experience, but it wasn’t until 2007 that I began dialing into a more focused vision—one that has shaped the body of work I create today. I was deeply inspired by the psychedelic styles of artists like Alex Grey, Robert Venosa, Victor Moscoso, Luke Brown, and Xavi Panneton. Their work unlocked something in me, and I’ve been exploring that visual language ever since.
My art blends neon color palettes, intricate mandalas, and layered patterns to tell symbolic, often personal stories. Each piece reflects something deeper—sometimes spiritual, sometimes emotional, but always intentional.
Over time, I’ve had the opportunity to share this work through exhibitions with collectives like Threyda, and alongside artists I’ve long admired—Android Jones, Jake Amason, Glass Crane, and Justin Totemical. My visuals have appeared in installations at Burning Man and psytrance festivals worldwide, and I’ve collaborated with projection artists like Jonathan Singer, known for his work on the Grateful Dead’s Fare Thee Well tour. Some of my pieces have also accompanied live sets by Trip-Hop legend Dave Tipper.
It’s been meaningful to see this work extend beyond festivals—especially through installations at Meow Wolf in Las Vegas and Santa Fe.
One moment that stands out was having my art featured on the cover of Ayahuasca: A Test Pilot’s Handbook by Chris Kilham, which was shown live on CNN. It felt like a rare alignment between art, message, and medicine.
If you're curious, feel free to explore more about my process and the journey behind the work on my page.